In this landscape, the road goes up in a straight line while respecting the vanishing lines. The figure walking in the centre of the road accentuates the effect of perspective. Two other figures can be distinguished on the right-hand path. The colours remain natural: the green of the vegetation, the ochre of the paths and the red of the roofing. Are we meant to see a vegetable garden in the green and red patches in the lower right? Nonetheless, the houses in the mid-ground are sloping toward the left according to the tipping system that became recurrent during the Céret period (1919-1922).
Michèle Bundorf dates it close to White House at the Musée de l'Orangerie and suggests 1933 as a date (1). Colette Giraudon also leans toward a date after the stay in Cagnes (2) .
Nonetheless, the workmanship, especially the treatment of the trees, seems closer to that of paintings done in Paris in the years 1917-1919 than those done in Chartres in the 30s with a thicker impasto and darker tonalities.
Provenance: Paul Guillaume; Domenica Walter
(1) Michèle Bundorf , in Collection Jean Walter-Paul Guillaume. Paris, Réunion des musées nationaux, 1966
(2) Colette Giraudon, in Musée de l’Orangerie : Catalogue de la collection Jean Walter et Paul Guillaume. Paris E. de la Réunion des musées nationaux, 1990